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Sweeney Todd had its' first rehearsal last night. We muddled through the script with everyone kinda singing everything, and we got through the whole thing in about 2:45. We've got a good cast, although I'm concerned that some of the men in the chorus didn't appear to be singing; hopefully that's an "unfamiliar with the material" problem which will be corrected with rehearsal. I KNOW I'm singing the wrong notes at the first rehearsal, but I go ahead and sing 'em loudly Fortunately, as the Beadle, my singing job is way easier than the rest of the chorus. I don't think I actually have any complex minor-key harmonies until after I die and come back for the big finale.

The set designer (who does the best work I've ever seen on a non-equity stage, especially with his one-room sets) showed us the set model and talked a bit about the production design. It's a fairly bold choice, but I don't know if I like it. Let's just say it's informed by the Trent Reznor / Marilyn Manson school of design and the horror movies that were, in turn, derived from those--it may not have a broad appeal to the traditional Theatre Memphis season ticket-holder; but then Nine Inch Nails' fanbase are getting older, too. It'll certainly be "edgy," and the blood will hopefully not be as Pythonesque as the Burton version.

Updates as they come! Runs October 17-Nov 2--get your tickets now! I'd say to ask for "Splatter Zone" seating, but I don't think the orchestra would appreciate being between the stage and a "splatter zone."

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